Showing posts with label online piracy. Show all posts
Showing posts with label online piracy. Show all posts

Sunday, November 24, 2013

The MPAA Is Going After Schoolchildren

Pirating Creativity
by TRAVIS EBY

For years now the Motion Picture Association of America (MPAA) has been trying its best, unsuccessfully, to enforce its “intellectual property” claims upon those who would dare share and distribute media. They are of course not the only ones trying to get IP enforced; we have seen the same trends in music and gaming. Since it has long become clear that they cannot stop the sharing of media on the internet, the MPAA is going for the gold: Get pirates when they are young. In other words, the MPAA has gone to work getting its mission inserted into the public school curriculum.

A nonprofit group called the Center for Copyright Information, supported by the MPAA and other groups, is in the early drafting phases of a school curriculum to teach children the supposed value of copyright. Of course, this whole plan is not without critics. Some argue that Hollywood studios and music labels are simply trying to promote their own biased agendas, while others say that such a curriculum would use up valuable classroom time needed to simply cover the basics.

There are two fundamental things for us to look at here, and they are both highly problematic. These are public education and intellectual property.

Public education is an environment wherein children are taught that there is such a thing as objective authority figures. This may not be overt, especially given how many well meaning and sincere public educators are out there, but the fact remains that public schools are among the first places where children start to be molded into compliant, servile people. There is not a whole lot of room for individuality, and even less room for questioning the teacher’s lesson plans. It is the perfect place to instill far-reaching values, such as statism, when children are at their most intellectually vulnerable.

Intellectual property is a ruse the political class uses to control free market — a clever tool to inhibit competition. There is no logical way to own something like an idea, and there is no logical argument against people sharing information, including media of all kinds. By enforcing claims on “intellectual property,” the political class inhibits competition, innovation and creativity.

But they would have us believe otherwise. They argue that IP protects creativity, that it protects competition, and that it protects the market. But if this is truly the case, then why would so many be fighting to undermine it? They also argue that sharing their supposed intellectual property is hurting the industry and costing people jobs. This of course flies in the face of the billions of dollars the movie industry, the music industry, and the game industry rake in every year. But they would still seek to get these regressive values into the minds of schoolchildren.

The fact of the matter is that sharing information, including media, is a massive check against the mandated market control of these big media groups. In many ways it has actually served to help them due to more people having access. It has also pushed them to innovate and make their products worth more to the general consumer. In other words, real market forces have created arguably better products. For years IP has stifled innovation, and it has been through revolutionary market forces that we have seen some exciting changes in the media industry. One such example is the Steam video game client that, while still a player in IP, has been making more and more quality games available for dirt cheap. In many cases, some will stop pirating because the games they might be interested in are available for so little money.

In short, not only is IP a regressive, anti-freedom framework, but the notion that they are so desperate that they would seek to get into the minds of children means that they are scared. Not to mention that their efforts will most likely meet with derision from the older siblings of these kids and create even more media sharing than before, thereby furthering their own demise.

Simply put: They are losing. Let’s keep it that way.

Friday, October 11, 2013

New study says online piracy isn’t hurting entertainment industry

By Eric Pfeiffer, Yahoo News October 3, 2013

For years, the entertainment industry has argued that online piracy has devastated business for movies, music and gaming.

But a new policy brief from the London School of Economics and Political Science (LSE) says that not only does piracy not hurt the creative industry but it is actually helping.

Millions of people across the globe illegally access copyrighted material on a daily basis. The most common method of digital pirating is through torrent sites, which let an individual download and upload content through a peer-to-peer file-sharing system.

Individuals in the U.S. who are found guilty of violating digital piracy laws can face severe legal penalties, including a felony record, five years in prison and $250,000 in penalties.

In the briefing, authors Bart Cammaerts, Robin Mansell and Bingchun Meng call on governments to re-evaluate their antipiracy laws to include data from studies beyond those directly sponsored by the entertainment industry itself.

“Contrary to the industry claims, the music industry is not in terminal decline, but still holding ground and showing healthy profits. Revenues from digital sales, subscription services, streaming and live performances compensate for the decline in revenues from the sale of CDs or records,” Cammaerts said in report carried by the site TorrrentFreak.

In a separate story, TorrentFreak says that independent data actually suggests that those who pirate content are also more likely to spend their money on film, music and gaming content.

A June 2013 study found that roughly 45 percent of all Americans pirate copyrighted content on a regular basis, including 70 percent of those under 30.

In the LSE report’s key messages, the authors say that evidence does not back up claims that individual cases of copyright infringement are affecting entertainment industry revenues, that antipiracy laws around the world are not achieving their desired impacts and that governments should update their policies to include more evidence from a diverse set of sources.

“Despite the Motion Picture Association of America’s (MPAA) claim that online piracy is devastating the movie industry, Hollywood achieved record-breaking global box office revenues of $35 billion in 2012, a 6% increase over 2011,” the report states.

And while music sales have faced steeper declines in recent years, the authors say those numbers have largely been balanced out by increased sales in live performance and other outlets.

“The music industry may be stagnating, but the drastic decline in revenues warned of by the lobby associations of record labels is not in evidence,” the authors write.

Interestingly, in the same Columbia University study, which found that nearly half of all U.S. Internet users pirate copyrighted material, nearly half of those individuals say they would willingly pay a monthly fee for unlimited access to multimedia content.

And the LSE study authors say that is one possible solution for the entertainment industry going forward as a way to bridge the gap between content providers and consumers.

“Within the creative industries there is a variety of views on the best way to benefit from online sharing practices, and how to innovate to generate revenue streams in ways that do not fit within the existing copyright enforcement regime,” the authors conclude.

“When both [the creative industries and citizens] can exploit the full potential of the Internet, this will maximize innovative content creation for the benefit of all stakeholders.”

Thursday, July 5, 2012

EU Defeats ACTA


European Parliament votes against controversial Anti-Counterfeiting Trade Agreement


ACTA, the controversial online piracy treaty, was dealt a blow on Wednesday when the European Parliament voted overwhelmingly to reject it.

The European Parliament voted 478 to 39 against the Anti-Counterfeiting Trade Agreement, which was drawn up in secret and had been protested by hundreds of thousands across the EU who saw the treaty as an infringement on internet freedom.

President of the European Parliament Martin Schulz welcomed the decision and stated that "ACTA is the wrong solution to fight online piracy." He said that the treaty negotiations had lacked transparency and acknowledged the massive public mobilizations against the treaty.

"The majority of the parliament is of the opinion that ACTA is too vague - leaving room for abuses and raising concerns about its impact on privacy and civil liberties, on innovation, creativity and the free flow of information," wrote Schulz.

"We have to take all possible measures to fight piracy, but this should never be done at the cost of what has made the internet one of the most revolutionary technologies in history: the EP wants the web to remain free and open," he added.

Civil liberties advocates including Pirate Party leader Loz Kaye also welcomed the decision. "The European Parliament vote is a triumph of democracy over special interests and shady back-room deals. This is a significant victory for digital rights, and it's thanks to the tireless work of activists and grass roots organizations, including the Pirate Party world wide. Without this opposition, our representatives would have waved this agreement through. It is now clear that it is becoming increasingly politically poisonous to be 'anti-internet'," Kaye said.

With this vote, there is no possibility of EU ratification, leaving the future of the treaty uncertain.