Showing posts with label copyright infringement. Show all posts
Showing posts with label copyright infringement. Show all posts

Monday, March 10, 2014

Bringing SOPA to the Trans-Pacific Partnership

Robert Holleyman in the Seat 
by BINOY KAMPMARK


The machinery to dominate global intellectual property by American fiat was further tightened by the announcement of Robert Holleyman as deputy US trade representative. President Obama’s announcement is just another reminder what sources of inspiration are governing the drive by Washington to control the downloading and dissemination of information via the Trans-Pacific Partnership. After all, Holleyman was a former lobbyist of the Stop Online Piracy Act (SOPA), the bill introduced by US Rep. Lamar S. Smith (R-Tx) to gift US law enforcement authorities with the means to combat copyright infringements.

Indeed, Holleyman’s own blurb as an author for The Huffington Post considers him as “one of the 50 most influential people in the intellectual property world”, an individual who “was instrumental in putting into place the global policy framework that today protects software under copyright law.” Such is the nature of mislabelled internationalism – Washington’s policy by another name.

Holleyman has also been heavily involved as a former president of the Business Software Alliance, a body representing the main software vendors including Apple, IBM, and Microsoft. Through the consortium, Holleyman unintentionally put the problems of SOPA, and its sister legislation, PROTECT-IP, in the bright spotlight. He found himself fighting, at least for a time, a losing battle. Protest against them was extensive, with January 18, 2012 featuring the “largest online protest in history”.[1] Congress took heed, shelving the bills. The vendors pondered the next move.

SOPA’s reach would have been global, enabling US law enforcement the means to target websites and individuals outside its jurisdiction. The carceral provisions of the bill were also hefty – five year prison terms for downloading unauthorised content.

It would have also been a rather formidable mechanism to insinuate censorship into the Internet. The legislation would allow the content provider or the US Justice Department to block sites hosting material supposedly in breach of copyright. Having such a provision would effectively overburden internet service providers to err on the side of caution and “over-block”[2] material. If ever you want to enshrine censorship, a fine way of doing so is frightening the hosts into censoring themselves.

The secret negotiations of the TPP have proven to be a feast of select company. The negotiators themselves, such as Stefan Selig[3], nominee for under-secretary for international trade at the Commerce Department, have a direct line to the Bank of America. Selig’s accounts have been inflated to the tune of $9.1 million in bonus pay and $5.1 million in incentive pay. Happy is the bank that can sue for diminished assets and target governments in courts of law.

The clubbable ones are the software demons who have been “cleared” to have briefings, some 700 “stakeholders”. The “cleared advisors”[4] also represent groups such as the Pharmaceutical Research and Manufacturers of America, the Entertainment Software Association, and the Recording Industry Association of America.

While the premise of having such vendors involved is ostensibly to protect innovation, the converse is true. The world of innovation does not matter to those who claim they have the ideas and want to protect them at cost. That is a recipe for sloppiness and envy.

The anti-democratic slant in the TPP process has also impressed itself upon observers. The press, and even members of Congress, have been kept at bay. Till parts of the treaty were published by WikiLeaks, elected officials could only view the document on visiting the Trade Representative Office. They would not be able[5] to reproduce or transcribe it.

While SOPA and its twin PIPA were shelved indefinitely, the Obama administration has decided shop in other forums to enforce some of their provisions. One way of doing so is through the faulty premise of free trade, which is simply another way of making some trade freer than others. The American firm features prominently in that guise of freedom.

Aspects of the leaked intellectual property chapter of the TPP so far indicate a model with SOPA trimmings. Provisions, for example, holding ISPs liable for hosting copyright infringement, have been preserved. The life of certain, corporate-owned copyrights will also be extended. In other words, this is SOPA by stealth, a process that “could not [be] achieved through an open democratic process.”[6]

The fact that the Obama administration has also sought to sideline Congress in the debate is indicative of that. As Henry Farrell[7] observed, “The United States appears to be using the non-transparent Trans-Pacific Partnership negotiations as a deliberate end run around Congress on intellectual property, to achieve a presumably unpopular set of policy goals.” Senate Democrats have been mindful of their shrinking role, and have blocked the president’s attempt to obtain “fast-track authorisation”.

The effect of such authorisation would give the administration scope to limit congressional consultation while using its prerogative powers. Congress would become, in effect, a chamber of marionettes. Appointments such as Holleyman’s show little change of heart away from that policy. The copyright vanguard, along with the dance of secrecy, is digging its heels in.


Notes. [1] http://sopastrike.com/ [2] http://cyberlaw.stanford.edu/blog/2011/11/stop-censorship-problems-sopa [3] http://www.scribd.com/doc/202241350/Stefan-M-Selig [4] http://www.washingtonpost.com/blogs/monkey-cage/wp/2013/11/15/five-key-questions-and-answers-about-the-leaked-tpp-text/ [5] http://www.mintpressnews.com/obama-chooses-sopa-lobbyist-to-negotiate-trans-pacific-partnership-treaty/180837/
[6]
http://www.washingtonpost.com/blogs/monkey-cage/wp/2013/11/15/five-key-questions-and-answers-about-the-leaked-tpp-text/

[7] http://www.washingtonpost.com/blogs/monkey-cage/wp/2013/11/15/five-key-questions-and-answers-about-the-leaked-tpp-text/


Tuesday, October 22, 2013

Lobbyists Will Win and We Will Lose If TPP Trade Deal Goes Through

Civil Liberties  
October 18, 2013 |

Something very important happened last week.

For the first time, Presidents and Prime Ministers of several countries met with industry lobbyists to discuss the Trans-Pacific Partnership (TPP) on the sidelines of the annual Asia-Pacific Economic Cooperation (APEC) summit in Bali, Indonesia. Although U.S. President Obama suddenly announced he would not [3] be joining these discussions, industry lobbyists are hoping to push through [4]  TPP talks to finalize the agreement.

What exactly is the TPP? It’s been called one of the most significant international trade agreements since the creation of the World Trade Organization [5]- but you’d be forgiven for not knowing about it. Discussions about this monumental agreement have been so secret that the little we know about the text is from leaked documents [6]- documents that show we have grave reason to be concerned.

One of its most troubling chapters includes an extreme Internet censorship plan that could break your digital future. Here are the top five ways the TPP censors the Internet and why it should concern you:

5.The TPP could criminalize small-scale copyright infringement

The next time you want to share a song or a recipe online, you’d have to ask yourself: Am I a criminal? Interested in writing some fan fiction based on your favourite detective series and sharing it online? Ask yourself that very same question. That’s how TPP provisions could characterize you based on what we know about its Intellectual Property chapter.

According to the leaked drafts, unauthorized small-scale downloading or sharing of copyrighted material could result [7] in severe fines and criminal penalties. Law enforcement could even seize your computer and send you to jail for minor copyright infringement.

4. The TPP could prohibit blind and deaf users from breaking digital locks to access their content

Under the TPP, attempts to circumvent digital locks in order to use your paid-for and legally-acquired media may become illegal. If you are blind, this means you could be criminalized [8] for circumventing digital locks on your purchased e-books and other digital materials in order to convert text to braille, audio, or other accessible formats. If you are a librarian, it may become very difficult to share [9] excerpts of content with students for education purposes, lend out material to the public, or even gain full access to purchased content; and as a consumer of digital media, attempts to [10] make backup copies of that DVD you purchased or transfer your legally-purchased e-book on a different device would become unlawful.

3. The TPP could lead to excessive copyright terms

Copyright, which was originally intended to promote the creation of new works by giving authors certain exclusive rights for a limited time, may be threatened [11] by excessive terms and a rigid system that could stifle creativity and innovation under the TPP.

Under the TPP, excessive copyright terms [10] could be created beyond internationally-agreed upon periods; it could also lengthen terms for corporate-owned works. Despite the strong and growing body of evidence demonstrating the importance of a rich commons [12] in creating new works, such a rigid copyright regime would stifle creativity and innovation. It would also restrict [13] the limitations and exceptions that member countries could enact, ensuring that countries enact compliant laws in order to avoid trade sanctions.

2.The TPP may regulate temporary copies at the cost of innovation and freedom

Temporary copies, or the small copies that your computer needs to make in order to move data around, are being targeted by TPP lobbyists who are attempting to redefine the very meaning of the word “copy”. The very notion of regulating temporary copies is ludicrous given how basic [14] the creation of temporary copies of files and programs is to computer functioning and the Internet. As the Electronic Frontier Foundation notes [14]:

This proposal may seem absurd to you. It should. Given how crucial the storage of “temporary copies” of digital files is to the functioning of our devices, the inclusion of unfettered provisions to regulate it is purely backward, especially given the supporters’ failure to justify a legitimate purpose for imposing a burden without a balance.

If lobbyists have their way, anyone viewing content on any device could potentially be committing copyright infringement. Companies like Wikipedia and Connexions would face serious difficulty [14] in hosting and storing user-generated content. Ultimately, this provision could make it more expensive for you to access licensed content, make you more vulnerable to liability, require you to purchase licenses from copyright-holders for transactions, and hinder your ability to use and create online content.

1. The TPP could kick you off the Internet

The TPP will place the burden [15] of monitoring copyright infringement on your Internet Service Provider (ISP), potentially resulting in the blocking of entire websites. Your ISP would have to institute what’s called a “three-strike rule [15]” – a rule that would kick you and your whole family off the internet after three infringement accusations by copyright holders.

It would also force websites to police user-contributed material.. Not only would this mean added financial burden [16], which could lead to the stifling of technology startups, it would also result in websites having to actively monitor for banned links – forcing the creation of a stringent Internet censorship regime. If ISPs are incentivized to remove content because of the resource-heavy nature of investigating copyright infringement complaints, such immediate takedown could censor time-sensitive news, including information to facilitate social organization, protest, and community-building.

It would also break your right to privacy [17] by forcing your ISP to share your private sensitive information with law enforcement in order to investigate your alleged copyright crimes.

Here’s the bottom line: The TPP is a secretive and extreme agreement that could break our digital future. It could change how we behave online, threaten our freedom of expression by promoting an extreme Internet censorship plan, and invade our privacy. The TPP will stifle creativity and innovation, hinder our ability to access information and organize, and criminalize our Internet use. The TPP is an affront to global Internet freedom.

Over 100,000 people have said no [18] to the TPP’s extreme Internet censorship plan and several thousand have put forward their vision of a fair digital future [19]. Join them and make your voice heard – the time is now [20].

Thursday, January 26, 2012

ACTA: The Seldom Heard of International Treaty That Could Affect Internet Freedom

Wednesday, January 25, 2012 by Common Dreams
US among countries that have already signed ACTA


While there was  to online anti-piracy bills -- SOPA in the House and the PIPA in the Senate -- ACTA, the Anti-Counterfeiting Trade Agreement, has received scant media attention yet poses a tremendous threat to online freedom.

RT reports on how the ACTA treaty will work:

Under this new treaty, Internet Service Providers will police all data passing through them, making them legally responsible for what their users do online. And should you do something considered "breach of copyright" like, for instance, getting a tattoo of a brand logo, taking a photo and posting it somewhere, you may be disconnected from the Internet, fined or even jailed.
This, of course, threatens the entire founding idea of the Internet – the free sharing of information. But ACTA doesn't stop there. It goes beyond the Internet, bearing down on generic drugs and food patents. If passed, ACTA will enforce a global standard for seed patenting, which would wipe out independent, local farmers and make the world completely dependent on the patent owners (read "big corporations") for supplies.
TheRevolutionIsNow offers this video analysis of the treaty:

While protests were able to pressure officials from moving forward with the SOPA and PIPA bills, President Obama already signed ACTA months ago. The International Business Times reports:
ACTA, on the other hand, was already signed by the United States on Oct. 11, 2011, and Obama was not required to attain the approval of any outside authority to do so: not the Congress, not the Supreme Court, and not the American public.
Now that it has been signed, the legislative and judicial branches of the U.S. government also have little ability to challenge or amend the treaty, and Americans will be subject to a whole new scheme of laws, restrictions and regulations that could have them facing fines or jail through a process that would likely exist entirely outside the scope of the American justice system.
And Wired.co.uk reports:
It has been negotiated, mostly in secret, between various countries and the EU over the last four years. Many states have already signed up for Acta, well before the widespread web furore over Sopa. So far, Canada, Japan, Korea, Morocco, New Zealand, Singapore and the US have all signed up to Acta. The European Union, Mexico and Switzerland have supported the treaty and shown a commitment to signing it in the future. Acta was slipped through the European Council in an agriculture and fisheries meeting in December. Some of its more aggressive language has been removed from more recent iterations of the treaty, particularly concerning "disconnection of internet access". It is expected to be signed by the EU on Thursday, before the European Parliament has a chance to vote on it.
Echoing protests last week when many sites "went black" in protest of SOPA and PIPA,Agence France-Presse reports that close to 100 websites in Poland went black Tuesday in protest of their country's plan to sign ACTA.
So who supports this far-reaching treaty? Wired.co.uk reports:
Acta is supported by major copyright holders including pharmaceutical companies, movies studios and record labels. Lobbying organisations include GlaxoSmithKline, Pfizer, Sanofi-Aventis, Monsanto Company, Time Warner, Sony, Verizon, The Walt Disney Company, the Motion Picture Association of America, News Corporation, and Viacom. It looks like the European Commission supports it but the European Parliament are unanimously against it.

How Hollywood’s Own Reality Undermines Its Position on Internet Policy

Credibility Lost

by RICHARD FORNO

The furor over the latest legislative proposals to address online copyright infringement in the United States have cast the major American intellectual property companies – most notably, the entertainment industry — in a very negative light within the global Internet user community.  I join with technologists, scholars, and industry observers who are amazed at the level of concentrated outcry over a single technology policy issue and hope it represents a more civic-minded Internet population when it comes to matters affecting Internet users both in the United States and around the world.
Much of the controversy surrounding The Stop Online Piracy Act (SOPA) [1] and the Protect IP Act (PIPA) [2] pertains to how they were drafted and their potential adverse consequences to the Internet itself, if not society generally. While a prolonged analysis or description of these proposals are beyond the scope of this article – but can be found quite easily online – they represent the latest attempts by the intellectual property (IP) industry (although ‘cartel’ might be a  more appropriate term) to further extend its reach into cyberspace to enact what it believes are necessary measures to protect its copyrighted property such as movies, music, and software.  Unfortunately, these legislative proposals were conceived and developed primarily by industry lobbyists with little input from Internet engineers, cybersecurity practitioners, or other subject matter experts who understand the technical, legal, and social consequences should these proposals, as written, become law.  The secrecy surrounding the drafting of SOPA and PIPA are reminiscent of how these same industry organisations were adamant that the international  development of 2011′s controversial Anti-Counterfeiting Trade Agreement (ACTA) occur in secret with little if any public consultation, comment, or discussion.[3]
Apparently, developing laws to protect intellectual property on the Internet are exempt from Washington’s alleged desire for greater transparency in the policymaking process. It also represents a shift in how technology issues previously were dealt with in the earlier days of the Internet — i.e., involving all stakeholders in a public forum to reach a mutual consensus on a given matter.  Such one-sided practices can lead to proposals like SOPA and PIPA, which indeed may endanger the effective and secure operation of the Internet, harm innocent Internet users, establish a “shoot first” policy based on accusation not proof, and potentially present assorted constitutional concerns over due process and online freedom of expression.  [4]
Concerns over the technical and legal ramifications of SOPA and PIPA were voiced publicly by companies like Google and Facebook and a veritable Who’s Who of Internet Engineering[5]. These concerns subsequently were marginalised or ignored[6] by American legislators wanting to enact them into law quickly while minimising public discussion about their potential consequences.  In response, the Great SOPA Blackout of January 18th, 2012 was launched by major Internet companies, prominent Web sites, and individual luminaries to protest and raise public awareness of these proposals, building upon the successful online protest the prior month against Internet company GoDaddy.Com, a longtime SOPA supporter.[7]  The significant public attention brought to these proposals during the January 18th Blackout forced legislators to realise these proposals might be a political problem for them; even before the one-day protest ended, politicians began scrambling to distance themselves from these proposals, including several of their original sponsors.[8][9][10]  Political support turned so quickly against SOPA and PIPA that the president of the Motion Pictures Association of America (MPAA) publicly threatened to cut off campaign support for politicians who didn’t support its legislative desires once it was known that Congressional leaders and the Obama Administration had removed those proposals from active consideration in their current form.[11]
That said, the enforcement of copyright on the Net is an ongoing concern for Hollywood and represents an significant, if not apocalyptic, problem to the entertainment industry, as evidenced in recent years:
  • 2005: MPAA claims $6.1 billion in losses due to “continued camcordering” of movies in theaters. [12]
  • 2005: US Chamber of Commerce reports 750,000 jobs lost due to online ‘piracy.’[13]
  • 2006:  A study based on Motion Pictures Association of America (MPAA) data from the Institute for Policy Innovation claims the US economy loses $20.5 billon a year from movie ‘piracy.’[14]
  • 2011: In a letter to the New York Times, the US Chamber of Commerce’s Mark Elliot says online ‘piracy’ threatens more than 19 million American jobs.[15]
Clearly, the entertainment industry is suffering tremendous financial losses due to online theft.  More frightening, the potential job losses have increased from 750,000 in 2005 to more than 19 million in 2011. This stark news suggests there must be severe financial and employment losses for the entertainment industry resulting from the online ‘piracy’ of its products. These statistics and predictions must be true — after all, these are ‘industry numbers’ being reported!
Interestingly, despite this gloomy news, the MPAA reported that “global box office receipts reached an all time high” of $29.9 billion in 2010 — and soon after announced new statistics showing how movie ‘piracy’ is killing its industry and destroying jobs. [16]
MPAA can’t have it both ways. Either it is losing money and laying people off due to ‘piracy’ or it’s making profits hand-over-fist and keeping its industry very much alive and profitable. Either way, it’s offered up some very misleading statements about its profitability and well-being in the face of an alleged epidemic of online theft that only draconian measures like SOPA or PIPA can address.
Similar antics were used by the MPAA’s musical counterpart, the Recording Industry Association of America (RIAA) over the years to describe its alleged financial woes due to online theft.  In the case of music, iTunes destroyed the decades-old concept of “album sales” — yet recording industry statements and news articles continued to suggest that “declining album sales” was a direct consequence of the online ‘piracy’ problem rather than acknowledging that increasing number of customers now purchased individual tracks from iTunes instead of full albums. [17][18]
Nevertheless, these manipulated statistics are invoked by the entertainment industry at every opportunity to justify and perpetuate attacks on technology, customers, and the Internet itself while ignoring societal evolution and the evolving expectations of its customers.  I do not dispute that the theft of copyrighted materials on the Internet is a problem and needs to be addressed, but we must be mindful of the statistics presented by the entertainment industry on this issue and not blindly accept their view as reflective of reality. Unfortunately, like all pieces of propaganda, repeat it often enough and the audience will believe it’s true.
The late Senator Daniel Patrick Moynihan once said, “you are entitled to your own opinion, but not your own facts.”  So let’s dig a bit deeper into the statistics routinely cited by the entertainment industry as it plays the victim of ‘piracy’ in the eyes of legislators and the media to determine if these indeed are facts or merely fantasy:
  • 2010: The US Government Accountability Office (GAO) releases a study that, while confirming online copyright infringement indeed is a problem, cast serious doubts on the intellectual property industry’s ‘piracy’ statistics. It also concludes that measuring the impact of ‘piracy’ with any degree of meaningful accuracy may be impossible.[19]
  • 2011: A ‘piracy investigator’ working for the entertainment industry describes how the entertainment industry worked to boost its piracy statistics to gain stronger media and political interest in its efforts.[20]
  • 2012: Julian Sanchez of the Cato Institute notes that the statistics associated with online ‘piracy’ are flawed if not something purely in the fantasies of lobbyists and their paid-for legislators.[21]
In short, great doubts are, and should be, cast upon the statistics used by the entertainment industry regarding ‘piracy’ and the theft of its products.  Therefore, in negotiating with the entertainment industry, lawmakers must be prudently critical in their analysis and due diligence of the facts presented — or, as the late Ronald Reagan famously said, “trust, but verify.”
Sadly, these very metrics, flawed or fixed as they are, continue to define the entertainment industry’s vision of reality and are used by its Congressional lobbyists to garner support for more far-reaching mechanisms to control the flow of information — theirs or anyone else’s — on the Internet in the name of countering ‘piracy.’  After all, the flurry of widespread public criticism of SOPA was dismissed by lead SOPA sponsor Lamar Smith as “not based in reality”; in other words, the reality conveniently contrived by the entertainment industry lobbyists and subsequently believed as absolute truth by Congress.[22]  Such sentiment, if not simply an excessive sense of self-entitlement, also helps explain why members of the entertainment industry have sued foreign governments that do not enact legislation favourable to them immediately upon request.[23]
Therefore, how can anyone take seriously the claims of Hollywood over its declared losses to ‘piracy’?  Not only do the entertainment industry’s statements about ‘piracy’s’ debilitating effects on its profitability conflict with its proclamations about strong annual sales, but it’s been caught basing its actions on a misconstrued sense of reality and groupthink reinforced by an ongoing inability to work with those whose views differ or raise concerns about its agenda. But Congressional lawmakers routinely believe the entertainment industry’s claims and cater to its needs, because they appreciate the flow of money received by enacting legislation favourable to those supporting their political campaigns. [24]
Interestingly, either through a superb act of irony or willful ignorance, the entertainment industry (and Congress) fails to note that the very technologies it lobbies (or votes) against are the ones that continue to make it so profitable over time.  Technological innovations such as the VCR, DVR, iTunes, NetFlix, and yet-to-be-discovered (or invented) services all contribute to the long-term success of the entertainment industry by allowing customers to enjoy entertainment products in a manner conducive to and consistent with the modern age and societal expectations.  For example, the launch of iTunes as the de facto Internet site to purchase music was a direct response to the rampant theft of music over the Internet in the late 1990s when Napster, GnuTella, Limewire, and other services met an emerging customer need (portabilityof a purchased music to multiple devices and over the Internet) that the recording industry chose to ignore. iTunes transformed that mostly criminal venture – obtaining and sharing music over the Internet – into the recording industry’s standard, if not preferred, method of distributing commercial music to customers.
Unfortunately. any new technology in the hands of average customers absolutely terrifies the entertainment industry. An insane fear of ‘piracy’ and zealous desire to protect its digital products at all costs have contributed to the imposition of restrictive technology controls, laws, and legislative proposals that created the uproar we see currently over SOPA and PIPA. Similar efforts over time explain why customers couldn’t easily duplicate VHS tapes in the 1980s, or DVDs in the 1990s, and are forced to watch un-skippable FBI “Anti Piracy Warnings” on DVDs and Blu-Rays in the 2000s.  It’s why you hear terms like ‘safe harbour’, ‘circumvention’, HDMI, HDCP, DRM, TCP, CSS, TPM, ‘analog holes’, ‘broadcast flags’, and things called ‘content protection’ inflicted upon our computers, monitors, video cards, iPods, cell phones, home theater systems, movies, music, and other digital products we might place on our various ‘authorised devices.’ It’s why since 2005 you risk arrest on federal felony charges if you take a photos or quick movie clips of a relative in a movie theater and happen to also catch a film playing in the background.[25] Why? Because you might be a criminal looking to steal digital content.  Even if you’re not, you might be. But that chance that you might be a criminal means everyone must be considered and treated as one, too — and why every new piece of consumer technology is considered by the entertainment industry as a potential Weapon of Mass Infringement. [26]   Remember that in 1982 the former MPAA president famously equated the VCR to the Boston Strangler [27] in terms of endangering the future success of the film industry; yet despite the proliferation of VCRs, DVRs, and streaming video services in the years since, that same industry reported record profits in 2010!
Effectively working together to counter online copyright infringement requires trust — trust in the data presented, and trust in the trustworthiness of those you are working with. Sadly, the entertainment industry repeatedly demonstrates it is not to be trusted — and the flawed statistics endlessly cited to further its agenda confirms this belief, as does its repeated inability to work with people and groups whose views differ from their own.  Those working to develop lasting solutions to the very real problem of contemporary copyright infringement must strive towards a mutually acceptable resolution to this problem and realise that a winner-take-all scorched-earth outcome may not be an appropriate solution. Legislation and treaties regarding copyright enforcement that raise serious concerns about Internet security, stability, and constitutionality (i.e., SOPA, PIPA, ACTA) must not be developed in secret by a committee of selected lobbyists but rather in full view of the public and with input from qualified external subject matter experts representing all sides of the issue.  Finally, to reach such a solution, the entertainment industry must abolish its practice of treating its paying customers as potential criminals and overcome its paranoia about technologies that it doesn’t yet control or influence heavily[28][29].
Unlike Silicon Valley, Hollywood considers ‘innovation’ as the process of lobbying for newer and more stringent controls over information and the flow of information in modern society. By clinging to its own version of reality, the entertainment industry demonstrates that it prefers to inflict lasting damage on the rest of the world to protect its antiquated Industrial Age business models rather than evolve with the modern world and so-called Information Age. Moreover, I posit that the entertainment industry’s ongoing and frequently controversial efforts to deal with what it purports to be an apocalyptic threat of ‘piracy’ merely are attempts to justify its legitimacy and self-perceived relevance in a world where the capabilities of quality production, marketing, and distribution of entertainment and other digital products now exist in the hands of Every Man[30][31] and not exclusively One Man[32][33].
Sources.[1] http://thomas.loc.gov/cgi-bin/query/z?c112:H.R.3261[2] http://www.opencongress.org/bill/112-s968/text[3] http://arstechnica.com/tech-policy/news/2010/09/report-acta-secrecy-is-all-the-united-states-fault.ars[4] https://www.eff.org/document/law-professors-letter-sopa[5] https://www.eff.org/deeplinks/2011/12/internet-inventors-warn-against-sopa-and-pipa[6] http://www.gamepolitics.com/2012/01/04/smith-says-reddit-sopa-protestors-are-039not-legitimate-or-large-number039 [7] http://news.cnet.com/8301-31921_3-57349913-281/godaddy-bows-to-boycott-now-opposes-sopa-copyright-bill/[8] http://www.politico.com/news/stories/0112/71697.html[9] http://www.cbsnews.com/8301-501465_162-57362990-501465/sopa-is-dead-smith-pulls-bill/[10]  http://www.hollywoodreporter.com/news/harry-reid-pipa-sopa-mpaa-blackout-283549[11] http://www.techdirt.com/articles/20120120/14472117492/mpaa-directly-publicly-threatens-politicians-who-arent-corrupt-enough-to-stay-bought.shtml[12] http://www.theglobeandmail.com/news/arts/pirates-of-the-canadians/article735563/singlepage/#articlecontent[13] http://news.cnet.com/8301-13578_3-10213367-38.html[14] http://news.bbc.co.uk/2/hi/entertainment/5395218.stm[15] http://www.nytimes.com/2011/11/19/opinion/rogue-web-sites.html[16]http://voices.washingtonpost.com/fasterforward/2010/03/mpaa_box_office_bragging.html[17] http://blogs.hbr.org/research/2010/01/the-itunes-effect-and-the-futu.html[18]http://money.cnn.com/2010/02/02/news/companies/napster_music_industry/[19] http://arstechnica.com/tech-policy/news/2010/04/us-government-finally-admits-most-piracy-estimates-are-bogus.ars(The GAO Report is @ http://www.gao.gov/products/GAO-10-423)[20] http://torrentfreak.com/private-anti-piracy-investigator-spills-the-beans-111003/[21] http://www.itworld.com/security/242587/best-evidence-showing-we-need-sopa-based-govt-studies-never-existed[22] http://www.techdirt.com/articles/20120105/04462117287/rep-lamar-smith-decides-lying-about-insulting-dismissing-opposition-to-sopa-is-winning-strategy.shtml[23]http://www.techdirt.com/articles/20120112/09203917388/insane-entitlement-emi-sues-irish-govt-not-passing-sopa-like-censorship-law.shtml[24] http://thehill.com/blogs/hillicon-valley/technology/205491-consumer-group-accuses-hollywood-of-threatening-politicians[25] http://consumerist.com/2009/12/charged-with-felony-after-taping-4-minutes-of-new-moon.html[26] http://www.mpaa.org/contentprotection/camcorder-laws[27] http://cryptome.org/hrcw-hear.htm[28] http://www.dvdforum.org/about-mission.htm[29] http://www.digital-cp.com/about_dcp[30] http://www.apple.com/[31] http://www.youtube.com/[32] http://www.riaa.com/[33] http://www.mpaa.org/

Sunday, January 1, 2012

Will Google, Amazon, and Facebook Black Out the Net?

By Alec Liu | FoxNews.com
Published December 30, 2011

In the growing battle for the future of the Web, some of the biggest sites online -- Google, Facebook, and other tech stalwarts -- are considering a coordinated blackout of their sites, some of the web’s most popular destinations.

No Google searches. No Facebook updates. No Tweets. No Amazon.com shopping. Nothing. 

The action would be a dramatic response to the Stop Online Piracy Act (SOPA), a bill backed by the motion picture and recording industries that is intended to eliminate theft online once and for all. HR 3261 would require ISPs to block access to sites that infringe on copyrights -- but how exactly it does that has many up in arms. The creators of some of the web's biggest sites argue it could instead dramatically restrict law-abiding U.S. companies -- and reshape the web as we know it.

A blackout would be drastic. And though the details of exactly how it would work are unclear, it's already under consideration, according to Markham Erickson, the executive director of NetCoalition, a trade association that includes the likes of Google, PayPal, Yahoo, and Twitter.

“Mozilla had a blackout day and Wikipedia has talked about something similar,” Erickson told FoxNews.com, calling this kind of operation unprecedented. 

"A number of companies have had discussions about that," he said.

With the Senate debating the SOPA legislation at the end of January, it looks as if the tech industry’s top dogs are finally adding bite to their bark, something CNET called "the nuclear option."

"When the home pages of Google.com, Amazon.com, Facebook.com, and their Internet allies simultaneously turn black with anti-censorship warnings that ask users to contact politicians about a vote in the U.S. Congress the next day on SOPA,” Declan McCullagh wrote, “you’ll know they’re finally serious.”

“This type of thing doesn’t happen because companies typically don’t want to put their users in that position,” Erickson explained. “The difference is that these bills so fundamentally change the way the Internet works. People need to understand the effect this special-interest legislation will have on those who use the Internet.”

The polarizing movement has many critics but also equally strong and diverse support, including most major media companies as well as businesses like 3M, Adidas, Burberry, CVS and more. News Corp., the parent company of FoxNews.com, also supports the law.

"SOPA targets foreign websites that sell counterfeit drugs and stolen copies of Hollywood movies -- not such American Web sites as YouTube or your favorite blog," wrote Richard Bennett, senior research fellow at the Information Technology & Innovation Foundation, in an editorial in the New York Post. 

The law is necessary to deal with those sites, he said.

"Internet criminals selling bogus drugs or pirated movies simply set up shop in China or a distant island republic, knowing that they won't be harassed by law enforcement regardless of how many U.S. lives or jobs they endanger."

But opposition to the legislation has grown substantially louder in recent weeks as the vote looms.

On November 15, Google, Facebook, Twitter, Zynga, eBay, Mozilla, Yahoo, AOL, and LinkedIn wrote a letter to Washington warning of SOPA's dangers. "We are concerned that these measures pose a serious risk to our industry's continued track record of innovation and job-creation, as well as to our Nation's cybersecurity," the letter argued

Google co-founder Sergey Brin himself has loudly denounced the bill. “While I support their goal of reducing copyright infringement (which I don't believe these acts would accomplish), I am shocked that our lawmakers would contemplate such measures that would put us on a par with the most oppressive nations in the world,” Brin wrote on Google+ social networking site earlier this month.

Others have taken a more proactive approach, voting with their dollars against those who support the bill.

GoDaddy.com, one of the largest domain registrars on the Internet, stands to potentially lose thousands of customers on Thursday, Dec. 29, or “Dump GoDaddy Day,” the culmination of an ongoing boycott of the company.

Microblogging site Tumblr generated 87,834 calls to Congress with its own anti-SOPA campaign -- a total of 1,293 total hours spent talking to representatives.

Hollywood and the recording industry have maintained the bill's necessity in the name of piracy. "Rogue Web sites that steal America's innovative and creative products attract more than 53 billion visits a year and threaten more than 19 million American jobs," the US Chamber of Commerce (a Republican SuperPAC) wrote in a letter to the editor of The New York Times.

But Erickson believes this is “just the tip of the iceberg in terms of response.” 

“People take the Internet very personally," Erickson told FoxNews.com. “It’s a very important part of their lives."

Wednesday, December 21, 2011

Viacom faces lawsuit over ‘What What (In the Butt)’ South Party parody

By Eric W. Dolan - RAW Story
Tuesday, December 20, 2011
 
whatwhatinthebutt-screen

 
After accusing YouTube of rampant copyright infringement, media giant Viacom has found an unusual ally in a fight over its own use of copyrighted material.

The Electronic Frontier Foundation (EFF) has filed an amicus brief in support of Viacom over a parody of a popular online video called “What What (In the Butt).”

Comedy Central’s popular show South Park parodied the video in a 2008 episode. Two years later, copyright owner Brownmark Films sued Viacom and Comedy Central, alleging copyright infringement.

A federal judge held the parody was protected by fair use laws and dismissed the case. But Brownmark appealed to the 7th U.S Circuit Court of Appeals, claiming that fair use cannot be decided on a motion to dismiss.

The EFF says if Brownmark’s claim is upheld, it would have a “chilling effect” on free speech.

“Brownmark is asking the appeals court for a rule that would make it much more difficult to resolve easy fair uses cases quickly. That would discourage artists and others from fighting claims, no matter how baseless, or even engaging in the fair use in the first place,” said EFF Fellow Michael Barclay. “The judge in this case got it exactly right: when the fair use is obvious, the case should be decided right away.”

The EFF argued that dismissing obvious fair use cases helps to deter abuses of the copyright system by so-called “copyright trolls,” who threaten to sue over copyright infringement but push to settle out of court.

“Fair use – using some copyrighted material for the purposes of art, education, or commentary – is an important part of how we communicate today. We see it everyday in segments on The Daily Show, in political advertisements, and in ‘remix’ videos on YouTube,” said EFF Staff Attorney Julie Samuels. “We can’t let litigious copyright holders chill free speech by making it more expensive.”