Showing posts with label militarism. Show all posts
Showing posts with label militarism. Show all posts

Friday, December 23, 2011

Wars Without End

The Costs of Empire
by HOWARD LISNOFF
 
In “The Absence of a Draft Makes Americans Feel Immune to War” (December 7, 2011), Glen Ford of Black Agenda Report makes the argument that an all-volunteer military has ushered in the “most militaristic period in American history.” While I agree with Ford that this is indeed a grotesquely militaristic environment in which we now live, I cannot agree that the existence of an all-volunteer military has caused the latter to take place.

As a war resister from the Vietnam era, I can testify to the fact that the military was at least as vicious in its conduct of the war in Southeast Asia during the 1960s and early 1970s as it is conducting wars today. I make the point in my memoir Notes of a Military Resister that not a single division within the Army during that war was without a war crime attributed to it. Untold millions were killed, and the effects of that era are still being felt in the daily reality of abandoned land mines and the effects of Agent Orange. So much for an egalitarian military following the dictates of the rules of war!

The problem with militarism in the US is not the presence or absence of a military draft, but rather the hold that militarism and its trappings have on this society. Whether it’s for the purpose of nation building or the “protection” of big business interests (including military contractors) abroad, the military is the tool of choice for this nation. If the military existed for the defense of the nation, as it should have on September 11, 2001, then an argument could be make for the maintenance of a standing military force. But both the military and “intelligence” failed miserably in the months leading up to that tragedy, and the decade that followed has seen the emergence of a nation dedicated to constant warfare and an “intelligence” apparatus that uses technology to spy on anyone. The Patriot Act is but the most obvious expression of a government at war with its own people. In fact, the passage of the most recent Defense Authorization Act (signed by Barack Obama), allows the military to hold any citizen that the government deems a terrorist without that person’s access to the Bill of Rights. Chilling!

The question that begs asking is: how did this dreadful and dangerous scenario ever come to happen in the US? Readers have to go back to the administration of Ronald Reagan, The Great Communicator (actually, the Great Nincompoop), to find the seeds of this contemporary expression of endless war and militarism. Reagan made war acceptable to masses of those in the US through his conduct of the policy of low-intensity warfare.

Since this policy was directed, for the most part, against Central America, South America, and the Caribbean, most in the US felt no impact of these theaters of battle. Iraq, during the administration of George H.W. Bush, was next to lineup in the crosshairs of US policy. Oil and the projection of US power were the twin objectives of that war waged against our former ally Saddam Hussein. One day a dictator can be photographed shaking hands with US officials, and the next day he can be the target of our military might.

Following Bush, there was a bit of a hiatus in massive war making on the part of this nation. Then came George W. Bush and the hijacked general election. Osama bin Laden did the rest, allowing the opening up of the door of preemptive warfare that continues to this day in places as disparate as Somalia, Pakistan, Columbia, Iraq, and Afghanistan, to name a few. In the case of Iraq, as the last US troops leave, violence continues in the wake of the trashing of one of the “nurseries” of civilization.

Barack Obama carried on the policies of Bush without missing a step militarily. As the longest war in US history continues to drag on, Afghanistan, by most accounts, is in no better position as a society than it was at the onset of the war in October 2001. Women still suffer the consequences of right wing religious intolerance there. Since so little of actual democracy exists in the US today that hasn’t been bought off or privatized by massive business and military conglomerates, we’re not exactly the shining example to export our ideas of democracy anywhere else on the globe. Indeed, Occupy Wall Street protesters around the nation being bashed by the police are not the kinds of poster children for photo opts that the government wishes to use to portray democracy.

Largely absent from the Occupy movement, however, are the staggering costs of the US empire. In 2010, $680 billion of the federal budget went to the military, with an additional $37 billion going to the wars in Iraq and in Afghanistan alone. A pie chart showing the slice the military takes out the US federal budget indicates that military expenditures made up 54 percent of the budget for the fiscal year 2009. Compare the latter to 30 percent of the federal budget that went to human resources in the same year.

As I’ve fought militarism over the decades from a personal and activist perspective, I’ve seen firsthand how the nation uses the symbols of freedom and democracy to negate those same principles whenever they emerge on distant shores or right here at home. The military dictatorship in Egypt is allowed to consume its own people in the face of a democracy movement while stocks of US-made tear gas are used to subdue democracy fighters.

Candidates for political office who espouse peace and an egalitarian social-economic structure at home are relegated to the status of non persons through the stranglehold that both the Democratic and the Republican Parties have on the election process. Without the support of the 1 percent that holds over 40 percent of the wealth in the US, a candidate remains an unknown and unelectable.

And the symbols that militarism uses have a great hold on the ordinary people who labor and live within the system. The flag, patriotic songs, and the glamor of military service are drummed into the psyches of children from the time they reach kindergarten age until they become adults. The cold war so easily morphed into the war on terrorism! And the consumerist ethos brings the rest of the population into the fold. Myths about the beauty of democracy at home go unquestioned even as protestors are driven from encampments in places as far flung as New York City, Philadelphia, and Oakland, California. Myths about the goodness of the nation, dubbed American Exceptionalism, fly in the face of Nicaraguan deaths during the 1980’s contra war, the hundreds of thousands lost during the twenty years of the war in Iraq with its economic sanctions (not to mention the millions of Iraqis displaced by the war), and the millions of Southeast Asians and Americans who died as a result of US intervention in the 1960s and early 1970s. Smaller military operations are not counted here.

When George Orwell wrote the classic Nineteen Eighty-Four in 1949, he focused his sharp criticism on totalitarian regimes that called themselves socialist. Isn’t it somewhat ironic that his main character Winston Smith could find himself equally at home here in the US in 2011 as he was in the mythical land of Oceania. There was constant and unbridled government surveillance of the citizens in Oceania. There was constant warfare. And finally, there was total subservience to the state.

Wednesday, February 9, 2011

The Stink in the Super Bowl

by Robert Shetterly
“Part of the main plan of imperialism… is that we will give you your history, we will write it for you, we will re-order the past…What’s more truly frightening is the defacement, the mutilation, and ultimately the eradication of history…”

--- Edward Said
It would be hard to imagine any ardent advocate of the military/industrial complex not reveling in what the Super Bowl has become --- a veritable marketing orgy of violence and consumption --- advertisers spending millions per minute to pander to our desire to own more stuff while fighter jets roar overhead reminding us of how the right-to-stuff is protected. Why must a football game become a vehicle for materialism and the power that defends it? I like football, played it pretty well in high school, and still think that in spite of the performance enhancing drugs & obscene salaries, the game itself is one of the few more or less honest of our mass cultural diversions. But the integrity of the game itself drowns in the toxic soup of values being dished up.

However, I have no need to belabor what should be obvious to anyone.

Instead, something far more insidious was presented to the world minutes before the opening kick-off. A short video, 111 seconds, narrated by the actor Michael Douglas, portrayed The Journey of American History --- its culmination being Super Bowl XLV.

The video consisted of a quick series of icons, both events and people, from our history, each one meant to strike a chord of collective pride, courage, triumph or suffering. In quick succession we saw in black and white the Statue of Liberty, suffragists marching, an image from the Dust Bowl, a landing craft at D-day, John Lennon’s image on a peace poster, JFK at his inaugural saying, “Ask not….,” MLK, Jr. intoning, “I have a dream…,” Rosa Parks, the Challenger lifting off, someone pick axing the Berlin Wall, the floods of Katrina, FDR speaking, Muhammad Ali gesticulating over a downed opponent, Ronald Reagan smiling, Lindbergh, the flag raising at Iwo Jima, a similar flag raising at 9/11, Amelia Earhart, Ray Charles, the moon landing, a scene from the Depression …. I’m sure I’ve missed a few. Michael Douglas’s minimal narration began by saying that this was our journey. And after Dr. King’s image, Douglas picked up the theme of the dream, our dream & our belief in that dream. With the images of 9/11, he said that this was our darkest day…. But the flag as still there! He said, “We never give up. How could we?”

And then the video shifted to the teams in the Super Bowl. Douglas said that tonight we are united in the journey of these teams as quick images of chicken packers in Green Bay and a steel mill in Pittsburgh flashed by. Douglas said that dreaming and believing have brought us to this moment of collective celebration and that that is Our Journey.

That’s our journey? It began with the Statue of Liberty? Not with the genocide of Native Americans, slavery and the crucial assumption that nature was to be feared, conquered and exploited? If I claim that I am telling you about my journey, and tell you only the good parts, what have I told you? What have we learned about the nature of journeys?

If I tell you that my darkest day was the time I was victimized and fail to mention the time I victimized someone else, what do you think I have learned from my experience?

More importantly, the video portrayed a series of American moments and heroic people and equated them with the Super Bowl as though they are all on a continuum of social progress and equally indicative of our finest character. In the parlance of our time, it was simply a portrayal of connecting the dots: Statue of Liberty, suffragists, FDR, D-day, JFK, Rosa Parks, MLK, Jr. … Super Bowl. All on the same line, of equal weight. If this is the trail of dots we need to follow, it’s a trail that leads us deeper into the dark woods, not out of it.

Obviously the Super Bowl is an excuse to celebrate materialism and militarism. Weren’t those two of the “triplets” (the other being racism) that Dr. King identified as being the forces that were destroying the values of this country and leading us to spiritual death? Many of the dots in that time line figure one way or another in the struggle for some kind of justice. How does the Super Bowl do that? It does, but only if you consider the real triumph of this country not its democratic values but its economic system, capitalism. And you can’t tell the difference.

In his “I Have a Dream” speech, Dr. King described the American Dream as consisting of the “riches of freedom and the security of justice.” The blatant message of Super Bowl is the freedom of riches and the justice of security. Very different things.

People, like many of our students today, who know little history except for the façade of history, and people, like many students today, who have not been taught to think deeply, would accept the message of Michael Douglas’s version of our journey. Without any critique, it felt good.

Who wrote that script for him?

Clearly its intent was to equate the apotheosis of violence and consumption with the struggle for social justice. Its intent was to drain the real courage and meaning of our most important and most necessary social struggles by equating them with corporate power --- corporate power being the same force that did and does impede social and economic justice. The video’s intent was to show that the behavior and interests of Halliburton are on the same moral timeline as the behavior and interests of Rosa Parks.

We generally think of imperialism, as Edward Said was when he made the comment above, as the military/economic process of one country exploiting another. Imperialism, though, is the same within a country. Propaganda and false history, combined with poor education and a corporate press, are used to subjugate people to the benefit of their own powerful elites. It stinks. It stinks in Iraq and it stinks in Wichita.

Douglas said, “We never give up. How could we?” Give up what? Fighting for justice or fighting for profit? His choice of words reminded me of another person who asked the same question. Dorothea Lange went into internment camps in the western US during WW II where our government had imprisoned Japanese Americans. She photographed what was being done to these people in the name of the freedom of security. She went to bear witness. Most Americans had no idea nor wanted to. Fear justifies most anything and denies the consequences. After being there & witnessing this crime against humanity, Dorothea Lange said, “This is what we did. How could it happen? How could we?”

What is our journey?

I know little about Michael Douglas except that he is a fine actor and that he recently survived a bout with serious throat cancer. I suspect that both of those factors made him a good choice as the narrator for this bit of dangerous propaganda. Conquering a deadly disease tends to add credibility to one’s professed integrity. But with this video he was helping to proliferate a cultural cancer that is destroying us all.

I noticed that he was sitting right behind George Bush and Condoleezza Rice in the luxury boxes.