Showing posts with label copyright holders. Show all posts
Showing posts with label copyright holders. Show all posts

Monday, March 5, 2012

Search engines are pressured to doctor results to favor copyright industries

By Muriel Kane - RAW Story
Sunday, March 4, 2012

There has been a great deal of concern recently over proposed legislation and treaties — such as SOPA, PIPA, ACTA, and TPP — that would hand the copyright industries what are widely seen as unwarranted powers to go after allegedly infringing websites.

According to TechDirt’s Glyn Moody, however, informal deals struck between governments and corporations could be just as harmful — and the British government is currently engaged in just such an effort.

Moody, the author of Rebel Code: Linux and the Open Source Revolution, writes that “with the implicit threat that tough legislation will be brought in if voluntary agreements aren’t drawn up promptly enough, governments are using this technique to avoid even the minimal scrutiny that consultations on proposed new laws would permit.”

He points to a post by James Firth which reveals that “the UK government and in particular Ed Vaizey, Minister for Culture, Communications and the Creative Industries, is pressuring search engines to police search results in a way that goes well beyond notice and take-down.”

What the British government is after amounts to the artificial promotion of “approved” online music and film services, combined with a blacklist of websites accused of infringement which would be completely excluded from search results.

As Moody notes, a system of this sort could easily lead to the censorship of a great deal of legitimate content with no oversight or appeal. So far, the search engine companies appear reluctant to go along with doctoring search results to favor a single industry’s economic interests, especially since it could lead them to incur charges of colluding in anti-competitive behavior. However, they may be willing to go along with an advertising blacklist, which would be less extreme but no less high-handed.

“Legislation, with full consultation from all parties, is a far better way of proceeding,” Moody concludes. “After all, it’s why we have a legislative process with checks and balances in the first place — to craft a solution that is both workable and fair. The new fashion for backroom agreements among a small group of unelected insiders is nothing less than an attack on that process, and hence on democracy itself.”

Sunday, March 14, 2010

Figuring Out Who Owns Imaginary Property

When You Try To Figure Out Who Owns Imaginary 'Property,' Things Get Confusing Fast
from the rights-holders? dept

We've discussed in the past how copyright isn't really "property" at all, and trying to compare it to regular property leads to all sorts of confusing problems. Take, for example, this lawsuit, found via Michael Scott, over who owns the rights to thousands of songs. The actual mess is a bit complex, but as you read through it, you realize that we're dealing with the emperor's new clothes in the form of copyrights. A bunch of different people are arguing over who owns a totally made up thing, with different people simply claiming to own it, and leaving it for the courts to figure out. Here's just a snippet of the mess (which gets more complex if you read the whole article):
Carbert Music is publisher of more than 150,000 songs from all music genres, including "Back in Black" by AC/DC, "I Got You (I Feel Good)" by James Brown and "What a Wonderful World," according to the complaint.

Carbert claims Don Great, who is not a party to this lawsuit, fraudulently registered "thousands" of the Carlin Library's songs in his own name, or in the name of his companies, Don Great Music and Tinseltown Music, or in the name of defendant May-Loo Music....

Five years later, May-Loo sued Great, claiming he had brokered secret business deals on behalf of May-Loo and had mishandled revenue. Great countersued, but a federal jury found awarded Loose and May-Loo $1.9 million in 2004, according to Carbert's complaint.

Carbert says it bought a catalogue of music called the GRH Catalogue from Harrose Music Co. in 2005. Soon afterward, Carlin says, it discovered that Great had falsely registered "many" of the GRH songs to himself, his companies or May-Loo. Great's actions "muddied the chain of title" and kept Carbert from licensing the songs, Carbert says.
With real property, even if there are ownership disputes, they don't get as ridiculously complicated as this. They don't go on for years with multiple people all believing they own the property only to find out later they might not. They don't involve people just declaring they own a piece of property with no one realizing they might not. These are all arguments over "imaginary" property, which isn't property at all. At what point do people realize just how ridiculous this whole structure is?